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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
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3
Height
289
Width
708
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Jane Cazneau
Description
An account of the resource
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<strong><em>Jane Cazneau With Books</em><br /></strong>
Subject
The topic of the resource
<strong>Jane Cazneau with a sampling of her books.</strong>
Description
An account of the resource
<p><strong>Image of a middle-aged Jane Cazneau, including two of her book covers, from <em>The Queen of Islands and King of Rivers </em>(1850), and <em>The Eagle Pass, or Life on the Border </em>(1852)</strong></p>
<p><strong>Also included is the cover of a Cazneau biography, by Linda Hudson, entitled <em>Mistress of Manifest Destiny: A Biography of Jane McManus Storm Cazneau (1808-1878).</em></strong></p>
Creator
An entity primarily responsible for making the resource
<p><strong>Unknown</strong></p>
<p><strong><br /></strong></p>
Source
A related resource from which the described resource is derived
<p><strong>Getty Images</strong></p>
<p><strong>http://www.gettyimages.ae/detail/news-photo/engraving-depicting-jane-maria-eliza-mcmanus-storms-cazneau-news-photo/114947575</strong></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
<strong>1850</strong>
Contributor
An entity responsible for making contributions to the resource
<strong>Photo by Kean Collection/Getty Images</strong>
Rights
Information about rights held in and over the resource
<strong>Public Domain</strong>
Format
The file format, physical medium, or dimensions of the resource
<strong>Unknown</strong>
Language
A language of the resource
<strong>English</strong>
Type
The nature or genre of the resource
<strong>Still Image</strong>
angel
Christian imagery
Eagle Pass
Jane Cazneau
Linda Hudson
Manifest Destiny
Manist Mistress
queen of Islands king of rivers
settlers
wagon train
-
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ac9480e024b726a102fea776d6033ef4
Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
475
Width
655
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em><strong><span class="field-content">Daniel Boone Escorting Settlers through the Cumberland Gap</span></strong></em>
Subject
The topic of the resource
<strong>Westward expansion</strong>
Description
An account of the resource
<p><strong><span class="field-content">This is a popular American painting addressing the theme of westward expansion. Rich with symbolism, it helped establish the mythic status of Daniel Boone and legends of western settlement. <strong></strong></span></strong></p>
<p><strong><span class="field-content"><strong><span class="field-content">George Caleb </span></strong>Bingham drew from Christian and classical imagery to justify and heroicize westward expansion and the ideal of Manifest Destiny, or the providential mission of the American nation to settle the frontier. </span></strong></p>
<p><strong><span class="field-content">Referring to Boone's first journeys into Kentucky in the early 1770s, the group is pictured traveling from east to west, dramatically emerging from the sun-filled landscape in the background and crossing into the dark, foreboding landscape in the foreground, where the snarled trees help signify the dangerous power of nature.</span></strong></p>
<p><strong><span class="field-content">Portrayed with idealized features and poses, the intrepid Daniel Boone, a rifle resting on his shoulder, suggests the figure of Moses - an archetype for pioneer patriarchs - leading his people toward the Promised Land, while Rebecca Boone, atop the horse, suggests the Virgin Mary, symbolizing the courageous spirit of pioneer women.</span></strong></p>
Creator
An entity primarily responsible for making the resource
<strong><span class="field-content"><strong><span class="field-content">George Caleb </span></strong>Bingham</span></strong>
Source
A related resource from which the described resource is derived
<p><strong>Mildred Lane Kemper Art Museum</strong></p>
<p><strong>Washington University in St. Louis</strong></p>
<p><strong>http://www.kemperartmuseum.wustl.edu/collection/explore/artwork/193</strong></p>
<p><strong><br /></strong></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
<strong>1851-1852</strong>
Rights
Information about rights held in and over the resource
<strong>Public Domain</strong>
Format
The file format, physical medium, or dimensions of the resource
<div class="views-field-obj-material-s"><strong><span class="field-content">Oil on canvas</span></strong></div>
<div class="views-field-obj-crate-s"><strong><span class="field-content">36 1/2" x 50 1/4 "</span></strong></div>
Language
A language of the resource
<strong>English</strong>
Type
The nature or genre of the resource
<strong>Still Image</strong>
Christian imagery
Cumberland Gap
Daniel Boone
George Caleb Bingham
Manifest Destiny
settlers
westward expansion
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Channels
3
Height
475
Width
655
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em><strong><span class="field-content">Daniel Boone Escorting Settlers through the Cumberland Gap</span><br /></strong></em>
Subject
The topic of the resource
<strong>Westward Expansion, Manifest Destiny, Daniel Boone</strong>
Description
An account of the resource
<strong><span class="field-content">Missouri artist George Caleb Bingham's Daniel Boone Escorting Settlers through the Cumberland Gap is among the most popular American paintings addressing the theme of westward expansion. Rich with symbolism, it helped establish the mythic status of Daniel Boone and legends of western settlement. Like Charles Wimar in The Abduction of Daniel Boone's Daughter by the Indians (1853, WU 4355), Bingham drew from Christian and classical imagery to justify and heroicize westward expansion and the ideal of Manifest Destiny, or the providential mission of the American nation to settle the frontier. Referring to Boone's first journeys into Kentucky in the early 1770s, the group is pictured traveling from east to west, dramatically emerging from the sun-filled landscape in the background and crossing into the dark, foreboding landscape in the foreground, where the snarled trees help signify the dangerous power of nature. Portrayed with idealized features and poses, the intrepid Daniel Boone, a rifle resting on his shoulder, suggests the figure of Moses - an archetype for pioneer patriarchs - leading his people toward the Promised Land, while Rebecca Boone, atop the horse, suggests the Virgin Mary, symbolizing the courageous spirit of pioneer women.</span></strong>
Creator
An entity primarily responsible for making the resource
<strong><span class="field-content">George Caleb Bingham</span></strong>
Source
A related resource from which the described resource is derived
<p><strong>Mildred Lane Kemper Museum</strong></p>
<p><strong>http://www.kemperartmuseum.wustl.edu/collection/explore/artwork/19um</strong></p>
Date
A point or period of time associated with an event in the lifecycle of the resource
<strong>1851-1852</strong>
Contributor
An entity responsible for making contributions to the resource
<strong><span class="field-content"><span class="field-content">Gift of Nathaniel Phillips, 1890</span></span></strong>
Rights
Information about rights held in and over the resource
<strong>Public Domain</strong>
Format
The file format, physical medium, or dimensions of the resource
<div class="views-field-obj-material-s"><strong><span class="field-content">Oil on canvas</span></strong></div>
<div class="views-field-obj-crate-s"><strong><span class="field-content">36 1/2" x 50 1/4 "</span></strong></div>
Language
A language of the resource
<strong>English</strong>
Type
The nature or genre of the resource
<strong>Still Image</strong>
Christian imagery
Cumberland Gap
Daniel Boone
George Caleb Bingham
horse
Manifest Destiny
settlers
westward expansion
-
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
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599
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Omeka Image File
The metadata element set that was included in the `files_images` table in previous versions of Omeka. These elements are common to all image files.
Bit Depth
8
Height
291
Width
387
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
Westward Expansion
Description
An account of the resource
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Title
A name given to the resource
<em><strong>American Progress</strong></em>
Subject
The topic of the resource
<strong>Weatward expansion, Manifest Destiny</strong>
Description
An account of the resource
<p><strong>This painting is an allegorical representation of the modernization of the new west. Here Columbia, a personification of the United States, leads civilization westward with American settlers, stringing telegraph wire as she sweeps west; she holds a school book as well. The different stages of economic activity of the pioneers are highlighted and, especially, the changing forms of transportation.</strong></p>
<p><strong>This painting has come to represent the ideal of Manifest Destiny.<br /></strong></p>
Creator
An entity primarily responsible for making the resource
<strong>John Gast</strong>
Source
A related resource from which the described resource is derived
<p>Museum of the American West</p>
<p>Griffith Park, Los Angeles, CA</p>
Date
A point or period of time associated with an event in the lifecycle of the resource
<strong>1872</strong>
Rights
Information about rights held in and over the resource
<strong>Public Domain</strong>
Format
The file format, physical medium, or dimensions of the resource
<p><strong>Oil painting</strong></p>
<p><strong>12 ¾” x 16 ¾”</strong></p>
Language
A language of the resource
<strong>English</strong>
Type
The nature or genre of the resource
<strong>Still Image</strong>
angel
buffalo
cattle
Christian imagery
Columbia
headdress
John Gast
Manifest Destiny
Native American
railroads
school books